Come and Sing 2019

Come and Sing 2019: Mozart Requiem

Join the Southport Bach Choir for another of our popular Come and Sing events featuring the beautiful Mozart Requiem.

At the end of Come and Sing days we always ask visitors to suggest works for future singing days. Mozart’s Requiem heads the list every time. The story behind its composition is sheer drama, and the work itself is suffused with Mozart’s unique melodic and harmonic genius.

The day will run from 10am to 5pm ending with a performance run-through of the whole work which non-singing guests are welcome to attend free of charge.

10.00 – 10.45        Arrival and registration in the church hall. Coffee and biscuits.

10.45 – 12.15        Rehearsal in church

12.15 – 1.15          Lunch in church hall

2.30 – 3.00           Tea and biscuits in church hall

3.00 – 4.00           Final rehearsal

4.15 – 5.00           Performance

If you would like to attend this event, please complete the booking form (click on link below) and return it with the full amount payable by 29th January 2019 to SBC Come and Sing 2018, 29 Clovelly Drive, Southport PR8 3AJ. Please make cheques payable to Southport Bach Choir.

Come&Sing 2019

Messiah – 8 December

The choir has performed Handel’s well-loved and well-known masterpiece at least once every 10 years in the course of its existence, and each of the conductors who have directed the choir has included this work . This seems trifling compared with some choirs who perform the work every year, but it means that the choir comes to the music perhaps rather more freshly.

Each of the conductors we have had  (5 so far) has chosen to take the choir through this piece, and each time we singers learn something new. No performance is the same; each conductor has his (no female musical director of the SBC yet!) individual preferences regarding speed, dynamics, interpretation, and over the years there have been cultural changes in the way eighteenth-century music is interpreted and performed, as the slower-paced, rather heavier versions have been replaced by lighter, faster preferences, with greater emphasis on the dance-like aspect of the music, and precise articulation of the words.

Our first musical director, David Bowman, conducted a performance of Messiah early in the choir’s second year, when he used the edition by Watkins Shaw, which had fairly recently been published, and made significant changes from the Prout edition which choirs had been using for many years. Since then we have performed Part I as part of a December concert, sung choruses from the work and sung complete versions in both the Watkins Shaw and the Prout edition.

Tonight our Director of Music, Marc Murray, will conduct the complete work (with a few cuts), using the Watkins Shaw edition. We are delighted to welcome our soloists – Rosanna Harris, Charlotte Badham, Charles-Louis Gagnon and Samuel Jackson – and members of Crosby Symphony Orchestra.

The performance starts at 7.30 at Holy Trinity Church, Southport.

Tickets are £12, at the door, or from 01704 540097, or 01704 535208.

Carmina Burana in summer concert 2018

On 23 June 2018 the choir will be singing Carl Orff’s every-popular Carmina Burana, aided by the boys of Holy Trinity Church Choir and soloists Margarita Wood (soprano), Matthew Palfreyman (tenor), and Arthur Bruce (baritone). The accompaniment will be provided by Elin Rees and Robert Woods on pianos and percussion. The conductor will be our Director of Music, Marc Murray.

These forces will also be employed in the other piece in the programme, Jonathan Dove’s Arion and the Dolphin.  This work is a dramatic cantata that was conceived as a companion piece for Carmina Burana. It is scored for countertenor or alto solo, children’s choir, adult mixed choir, two pianos and percussion and told in lively verse by Dove’s long-time collaborator Alasdair Middleton. It was commissioned for Making Music members, receiving its premiere in March 2016. As a member of Making Music, the Southport Bach Choir is delighted to be giving one of the first performances of this delightful work.

The concert will be in our usual venue: Holy Trinity Church, Southport, PR9 0TE, at 7.30 pm.

Tickets £12 available from 01704 540097 or 01704 535208 – or at the door.

 

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Love and Loss: sacred and profane

Our concert on 14 April 2018 takes the theme of love and loss in both the sacred and the secular spheres. We shall be singing a variety of pieces, some of which are firm favourites in the field of choral music, such as Fauré’s lovely ‘Cantique de Jean Racine’; others are less well-known. Perhaps the most unusual of these is the arrangement of Japanese songs by Bob Chilcott. This is absolutely delightful music, which is sure to please our audience, and we are greatly enjoying rehearsing the songs. As we have a Japanese member of the choir, we might even attempt to sing one of them in Japanese!

Here is the full programme of pieces:

Antiphon ‘Let all the world’  by Ralph Vaughan Williams

‘Rise up my Love’ by Healey Willan

‘Geistliches Lied’  by Johannes Brahms

‘Cantique de Jean Racine’ by Gabriel Fauré

‘Stabat Mater’ by Schubert

‘Christus factus’ est by Bruckner

Furusato (5 Arrangements of Japanese Songs) by Bob Chilcott

6 moravských dvojzpěvů by Antonin Dvorák

Hungarian Folksongs by Matyas Seiber

 

The concert will be conducted by our Director of Music, Marc Murray and the choir will be accompanied by Robert Woods, our valued rehearsal accompanist.

The concert is at Holy Trinity Church, Southport PT9 0PR, starting at 7.30 pm.

Tickets £10 in advance from 01704 540097, or 01704 535208, or available at the door.

Southport Bach Choir

Come and Sing 2018

Come and Sing Rutter’s Gift of Life

***Closing date extending to 31 January 2018.***

You are invited to join the Southport Bach Choir in a day’s workshop on John Rutter’s recent work, The Gift of Life on Saturday, 3 February 2018First performed in New York in February 2017, the work was given its first UK performance by the SBC in June this year (2017). It is a six-movement choral celebration of the living earth, of creation, and of life itself, offering a kaleidoscope of moods from contemplative and prayerful to majestic and inspirational. The music ranges from relatively simple to complex, from lyrical to dynamic, and is very rewarding to sing.

Under the guidance of Marc Murray, the SBC’s Director of Music, and with the assistance of Robert Woods on the organ, this is sure to be an inspiring and satisfying day of music-making. There will of course be the usual splendid sandwich lunch available for those want it, and the usual magnificent array of cakes!

Emmanuel Church on Cambridge Road, Southport, has proved to be a super venue for a ‘come and sing’, with the church hall available for lunch and tea. We have learned from the experience of last year that we need to provide coffee/tea before the day gets under way, as people are likely to have travelled some distance, and this is reflected in the timings below.

10.00 to 10.45 – Arrival and Registration in the Church Hall (coffee and biscuits available).

10.45 to 12.15 – Rehearsal in the Church

12.15 to 1.15  –   Lunch in the Church Hall

1.15 to 2.30 –    Rehearsal in the Church

2.30 to 3.00 –   Tea and biscuits in the Church Hall

3.00 to 4.00 –   Final rehearsal

4.15 to 5.00 –    Performance

If you would like to attend this event, please complete the Booking form and return it with the full amount payable by 31 January 2018 to SBC Come and Sing 2018, 29 Clovelly Drive, Southport PR8 3AJ.

We look forward to seeing and making music with you.

Christmas Concert

Xmas flyer

Our Christmas concert on Saturday 9 December 2017 will be a feast of carols old and new. There will be well-known carols that the audience can join in, new settings of traditional words and of course carols by a favourite composer who always features in our Christmas concerts – John Rutter.

This year, for the first time, we are delighted to welcome the choir of Merchant Taylors’ Primary School (which used to be known as Stanfield School) who will perform in both halves of the concert.

As well as conducting the concert, Marc Murray, our Director of Music. will play a solo organ piece. Marc, who is also Director of Music at St Mary the Virgin, Bury Parish Church, is a first-class organist, who has played in cathedrals throughout the country.

The choir will be accompanied on the organ by Robert Woods, our valued rehearsal accompanist.

The concert is at Holy Trinity Church, Southport PT9 0PR. It starts at 7.30 and there will be the usual mince pies in the interval!

Tickets £8 at the door, or in advance: 01704 540097 or 01704 535208.

Alexander’s Feast

Alexander’s Feast will be performed by the Southport Bach Choir on Saturday, 24 June 2017, with chamber orchestra and soloists:

Hayley Swanton (Soprano)

Andrew Masterson (Tenor)

Ed Robinson (Bass)

The work is a setting of Dryden’s poem of the same name, a poem that had been written explicitly for musical performance and that functions as a celebration of St Cecilia, the patron saint of music, whose nameday falls on 22 November.

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St Cecilia playing the portative organ by the Meister des Bartholomäus, 1501.

 

Her story – which may, or may not be true – is that she was a Roman woman forced to marry a pagan nobleman named Valerian, despite her vow of chastity. During the wedding, it is said, Cecilia sat apart singing to God in her heart, and this led to her later being declared the patron saint of musicians. The story goes that Valerian saw her guardian angel crowning Cecilia with a chaplet of roses and converted to Christianity. Cecilia’s martyrdom followed that of both Valerian and his brother Tiburtius. She is supposed to have lived on for 3 days after having been struck on the neck by a sword.

 

 

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Sts Cecilia, Valerian and Tiburtius by Bononcini, 1495.

It’s not surprising, I suppose, to find that composers are attracted to the idea of writing music in honour of St Cecilia, and the Southport Bach Choir has performed quite a few of these works over the years, most frequently Benjamin Britten’s Hymn to St Cecilia. This is a setting of a poem by W.H.Auden, written between 1940 and 1942. Auden’s words celebrate the power of music and pray for its ability to bring peace to mankind. On two occasions the choir’s programme also included Haydn’s St Cecilia Mass. We have also performed Gounod’s St Cecilia Mass and Herbert Howell’s Hymn for St Cecilia.

 

 

 

Handel in fact wrote two pieces in St Cecilia’s honour, and his Ode to St Cecilia was included in the   choir’s 1983/4 season. There are still other pieces which the SBC hasn’t ever performed: a Purcell Ode to St Cecilia, oratorios by Marc-Antoine Charpentier, a setting by Gerald Finzi of a poem by Edmund Blunden,  and an Ode on St Cecilia’s Day by Hubert Parry.

The concert on 24 June will take place at Holy Trinity Church, Southport, 7.30pm.

Tickets: £12, at the door or in advance from 01704 535208/564205.

 

The Gift of Life

The Gift of Life is the title of John Rutter’s new choral work which the choir will be performing as part of their concert on 1 April, 2017. This will be the first performance in the North of England.

Rutter’s work comprises 6 ‘Canticles of Creation’ with words from a variety of sources. The first canticle is a Benedicite, the second has words by the American Joshua Smith (‘The tree of life’). The third and most ambitious canticle for double choir is a ‘Hymn to the Creator of Light’ with words by Lancelot Andrewes and J. Franck. This piece was originally written in 1992 in memory of Herbert Howells and performed at the Gloucester Three Choirs Festival as an unaccompanied motet. Taking words from Psalm 104, the fourth canticle praises the Lord and extols the gifts of creation – ‘O Lord, how manifold are thy works’. Rutter himself has written the words for the final two canticles: ‘The gift of each day’ and ‘Believe in life’.

The choir will be performing the work with the accompaniment of an instrumental ensemble: piano, organ, harp, timpani and percussion.

If this work anticipates the joy of Easter Day, the first half of the programme consists of more solemn music, suitable for the Lenten season. Schubert’s Stabat Mater, written in 1815 when the composer was only 18, despite the solemnity of the words, is lighter, more dancelike than many other settings. He uses only 4 of the 20 stanzas of the poem, and the work is thought to have been originally performed in church rather than a concert hall. The following year he made another setting of all 20 stanzas, a much bigger work that would have had a secular performance.

The concert will also include Bruckner‘s well-known (and glorious) unaccompanied motet, ‘Christus factus est’, and a piece by Liszt that is not well-known, and which in fact the choir has never sung before. This is ‘Via crucis’. In the last 20 years of his life, Liszt’s style changed from one of exuberance, virtuosity and abundance, to one of stark simplicity. After an introductory movement this piece is divided into 14 short sections, 3 of which are for organ solo, representing the 14 Stages of the Cross. The music uses traditional chants and hymns, and words from the Stabat Mater, but Liszt creates a unique work inspired by fervent religious devotion.

The concert will be conducted by the choir’s Director of Music, Marc Murray.

1 April, 2007 at 7.30 pm.

Holy Trinity Church, Hoghton Street, Southport PR9 0PR.

Tickets: £10 (01704 535208 or 01704 564205)

 

 

 

Come and Sing Rutter

Come and sing John Rutter’s Requiem with the Southport Bach Choir and our new Director of Music, Marc Murray.

Emmanuel Church, Southport, Saturday, 4 February 2017, 10.00 – 5.00.

The Requiem is one of Rutter’s most popular works and has a lyrical quality that appeals to both singers and audiences. The SBC has enjoyed singing several of his carols this Christmas and in Christmases past, but it is many years since we last sang the Requiem. We are looking forward to renewing our acquaintance with this work, before we start rehearsing for his latest big choral piece, The Gift of Life, which we shall be performing in our concert at Holy Trinity, Southport on Saturday, 1 April 2017.

You don’t have to be a marvellous sight-reader to come and sing with us on 4 February, but it would probably add to your enjoyment of the day if you can read music. A sandwich lunch will be provided for those who would like it, and we have a reputation for offering a good selection of cakes!

If you would like to join us please let us know by 1 February at the latest. For further details and application form click here: Come & Sing.

 

Music for Christmas

christmas-flyerOn 10 December, 7.30 pm at Holy Trinity, Southport, we shall be giving our first concert under our new Director of Music, Marc Murray. As is usual for our December concert, the music has been chosen with Christmas – in all its different aspects – in mind.

The most substantial work on the programme is a Magnificat, Mary’s words of exaltation after the Annunciation, which are regularly performed as part of Evensong, but are particularly relevant at this time of the year. The setting we shall be singing is by Dietrich Buxtehude (1637-1707), a Baroque composer who was very influential on J.S.Bach.

Shorter pieces range from William Byrd’s lovely lullaby, ‘Lullaby my sweet little Baby’, to new carols by composers of the 21st century (including, of course, the ever-popular John Rutter), as well as new settings of more familiar words.

One piece which the choir has, perhaps rather surprisingly, never performed before, is Holst’s ‘fantasy on old carols’, which he calls Christmas Day. We have sung Vaughan Williams’s Fantasy on Christmas Carols (1971, 1987, 2008, 2012), and Charpentier’s Messe de Minuit (1970, 2009, 2015), which is composed around French carols, but this will be our first performance of the Holst.

There will be opportunities for the audience to join in and the accompaniment will be provided by Robert Woods on the organ.

Tickets: £10 at the door, or 01704 535208.

And the interval refreshments will include mince pies!